Our Mission
Taqsim Labs Inc. is dedicated to preserving and promoting the rich musical heritage of SWANA — South West Asia and North Africa — through innovative technology. We believe that these traditions deserve to be celebrated, understood, and passed down to future generations. Our mission is to make this living cultural treasure accessible to everyone through engaging, educational applications.
What is SWANA Music?
SWANA — South West Asia and North Africa — is not a single culture but a constellation of them. It is a crescent of sound that arcs from the Atlas Mountains of Morocco to the Silk Road cities of Uzbekistan, from the shores of the Bosphorus to the date-palm plains of southern Iraq. Across this vast geography, musicians have been building a shared musical language for over a thousand years — each people contributing their own inflection, their own grief, their own joy.
This tradition goes by many names, worn differently by each people who carry it:
The Arab World
The Levant — Syria, Lebanon, Palestine, and Jordan — calls it the Maqam (Arabic for "musical scale" — the foundation of melody in this tradition), and breathes life into it through the Taqasim: improvised solo passages where a musician pours out their soul without a single note of accompaniment, suspended in time.
Egypt, often called the cradle of modern Arabic song, sits at the cultural heart of this tradition. Here too it is called the Maqam, and it is heard in the endless, suspended phrases of Umm Kulthum, in the labyrinthine compositions of Riyad El-Sonbaty and the soaring melodic imagination of Baligh Hamdy — music that could hold an entire nation in silence for hours.
Iraq has the Iraqi Maqam: a highly structured urban classical tradition with its own canon of pieces and its own performing masters, so singular and irreplaceable that UNESCO recognized it as Intangible Cultural Heritage of Humanity.
The Maghreb — Morocco, Algeria, Tunisia, and Libya — carries the memory of Al-Andalus in its music. What was lost when the last Muslim kingdom fell on the Iberian Peninsula was preserved here, passed down by the families who made the crossing centuries ago, in a tradition called Al-Ala or Andalusian music: a living archive of a vanished world.
The Gulf States — Saudi Arabia, Kuwait, Bahrain, the UAE, Oman, and Qatar — have the Sawt tradition: a soulful, seafaring music shaped by pearl divers and Indian Ocean trade routes, carrying the melancholy of long voyages and distant shores.
Turkey — The Makam
Turkey calls it Makam, and their system is one of the most mathematically rigorous versions of this shared tradition. The Turks map microtonal intervals through a precise system of commas, giving names like Hicaz, Beyati, and Rast to emotions that no Western scale can quite describe. Though the names echo across the region, the Turkish tuning and temperament speak a dialect all their own.
Iran — The Dastgah
Iran inherited the Maqam system and, over centuries of poetry, mysticism, and refinement, evolved it into something distinctly Persian: the Dastgah. It shares names with its cousins — Mahur, Shur — but its architecture is its own: a system of modes organized not just by scale, but by characteristic melodic phrases, emotional associations, and the weight of centuries of literary tradition.
Central Asia and the Caucasus
Azerbaijan calls it Mugham — a tradition of improvisation and longing, where the music is inseparable from poetry, and a single performance can last hours, drawing the listener deeper and deeper into a modal world.
Uzbekistan and Tajikistan have the Shashmaqom — literally "Six Maqams" — a monumental classical repertoire that once unified the courts of Central Asia along the Silk Road, and still survives as a living tradition today.
The Uyghur people of Xinjiang carry the Muqam: a vast and complex tradition threading through Western China, where the same ancient system reached the farthest eastern edge of its journey.
The Ripples Beyond
The tradition does not end at any border. Greece, shaped by centuries of Ottoman presence, gave birth to Rebetiko — an urban folk music whose modal vocabulary, the Dromoi, descends directly from the Makam. In the coffeehouses and port cities where dreamers and wanderers gathered, the Maqam became the blues. The Balkans carry it too: in the Bosnian Sevdalinka, in Bulgarian folk melodies, in Macedonian wedding music — everywhere you hear that unmistakable interval, that bending note, that harmonic longing that no Western theory was built to explain. It is the sound of a civilization that once stretched from the Atlantic to the Pacific, still humming beneath the surface of the world.
Who We Are
We are a team of passionate developers, musicians, and cultural enthusiasts committed to preserving the musical traditions of SWANA. Our backgrounds span technology, musicology, and education, allowing us to create applications that are both technically sophisticated and culturally authentic. We present these traditions with the respect and specificity they deserve — not as one undifferentiated "exotic" sound, but as the distinct, irreplaceable voices they are.
What We Do
Taqsim Labs develops educational mobile applications for iOS and Android focused on SWANA music education. Our flagship application, Bonjour Maqami, teaches users to identify and appreciate the distinctive Maqams that form the foundation of this tradition. Through interactive ear training and games, we help people develop a genuine ear — the kind that can feel a Maqam before it can name one.
Our Values
Cultural Preservation
We are committed to preserving the SWANA musical traditions and making them accessible to current and future generations.
Authenticity
We present each Maqam tradition with cultural accuracy and deep respect for its historical significance and living practitioners.
Education First
We create engaging learning experiences that make understanding SWANA music enjoyable and effective for everyone.
Accessibility
We believe everyone should have the opportunity to learn about and appreciate this music, regardless of their background or prior knowledge.
Our Vision
We envision a world where the musical traditions of SWANA are celebrated, understood, and preserved. Through technology and education, we aim to ensure that the sound of a Maqam — with all its emotional weight and cultural memory — continues to move people for generations to come. To teach someone to truly hear this music is to give them a key to a world they did not know existed.
Get in Touch
We'd love to hear from you — whether you have questions, feedback, or just want to talk about music.
Email: support@taqsim-labs.com
Website: https://taqsim-labs.com